Likewise, rsync can struggle when transferring folders that contain tens of thousands or even millions of files, which can be common in VFX and other media workflows. That deficiency alone can cost hours, or even days, depending on the file sizes and network conditions. ![]() rsync wasn’t designed to move large files with speedīecause rsync was designed back in the mid-1990s (more than 20 years ago!) without any file acceleration technology, moving large video files over long distances or congested networks takes far longer than necessary in the modern age. In exploring how to help businesses find the system-to-system transfer solution that they both need and deserve, Signiant has compiled some of the major pitfalls of continuing to rely on rsync and provides M&E leaders an introduction to the ideal alternative. Unfortunately, in failing to leverage more modern solutions, the media organizations that continue to depend upon a utility that’s rife with problems put themselves at a disadvantage. ![]() While there’s technically no charge to use rsync, the “hidden costs”, as outlined below, can be enormous and unpredictable. Why do Media & Entertainment Businesses Still use rsync?Īs is often the case with legacy technologies, many media and entertainment businesses continue to rely on rsync out of familiarity or the misguided perception that it’s free. As times change, the needs that Mackerras and Tridgell designed rsync to meet still exist, but - due to the increase in file sizes and the growing complexity of workflows - particularly in media and entertainment - the utility just isn’t well suited for the challenges of the modern media supply chain. The rsync algorithm quickly became widely deployed and is included today with most Linux distributions. The original rsync (remote sync) was launched in June of 1996, written by Andrew Tridgell and Paul Mackerras to offer synchronization and bulk file transfer between servers.
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